Soft Geometry: Holding the Divine in Pastel Light

When I began this piece, I was feeling playful. There was a childlike spark moving through me—something light, curious, and unguarded. That energy became the pulse of this painting, and it is why I named it Bubble Gum Galaxy.

This piece feels to me like an exploration of harmony between structure and softness, precision and flow, cosmic order and innocent wonder. Sacred geometry, by nature, carries exactness. It speaks in the language of the universe—circles within circles, perfect symmetry, interwoven forms that echo through nature, consciousness, and creation itself. And yet, I wanted to feel what would happen if these powerful structures were held inside something gentler—something atmospheric, tender, and dreamlike.

The background emerged first.

I began layering soft washes of pastel blues, blush pinks, pale yellows, hints of mint, and lavender, allowing them to move and blend in an organic way. The result feels almost like an aura field, a cloudscape, or the fluid tides of an inner landscape. It does not feel fixed to me. It feels living. Breathing. As though it is still in motion.

There is no hard horizon line, because this piece is not meant to feel rigid or earthbound. It is meant to float. To drift. To evoke that spacious state where form has not fully landed yet—where possibility still shimmers.

Once the energetic field felt balanced, the geometry began to arrive.

Each circular form holds its own resonance, like a different frequency moving through a shared field. Near the center rests the Flower of Life, carrying the remembrance of interconnectedness—that all life emerges from the same divine blueprint. Around it, other sacred forms appear: Metatron-inspired geometry, Sri Yantra, the Merkaba, and moon cycles layered over the Flower of Life. They hover almost like celestial bodies, suspended in relationship with one another.

I intentionally varied their placement and transparency. Some shapes come forward clearly, while others remain subtle, almost whispering from beneath the surface. This feels true to how awareness lives in the body. Some truths are vivid and conscious, while others quietly organize us from underneath, held in the deeper tides of being.

The larger geometric form in the lower right—Metatron’s Cube—anchors the composition. To me, it carries the feeling of embodiment. It brings the cosmic down into the physical. It gives a sense of grounding to the more ethereal forms above, which feel lighter, more like intuition, imagination, guidance, or thought before it becomes matter.

Color in this piece was deeply intuitive.

The gradients moving through the geometry were not planned in a rigid way; they were felt. Each hue carries its own emotional and energetic quality. Pink speaks to compassion, sweetness, and heart. Blue evokes truth, clarity, and stillness. Yellow brings awakening, light, and vitality. Teal carries healing, openness, and expansion. Where these colors overlap, entirely new tones emerge—just as our life experiences overlap and become something richer, more layered, more whole.

For me, this painting is about youthful joy, whimsy, and wonder—but not without grounding. It is playful, yes, but it also holds balance.

It speaks to the meeting place of structure and surrender. Of precision and softness. Of the universal intelligence that organizes life, and the fluid human experience that moves within it.

From a distance, the piece feels dreamy and spacious. Up close, the intricacy begins to reveal itself—the repeated patterns, the sacred mathematics, the intentional placement of each form. That is part of its message. Life can feel fluid, mysterious, and at times unpredictable, yet underneath it there is an ordering principle. A deeper pattern. A quiet geometry holding everything together.

In many ways, this piece feels like a reflection of the biodynamic world I know so intimately—the way there can be immense stillness and subtle motion at the same time. The way something soft can also be profoundly intelligent. The way a field can hold both innocence and complexity. This painting carries that kind of presence for me: playful, alive, and gently organized from within.

My hope is that when someone stands in front of Bubble Gum Galaxy, they feel both soothed and awakened. That something in them softens. That something in them remembers. I want it to speak not only to the mind, but to the body—to the inner child, to the imagination, to the deeper knowing that we are not separate from the larger patterns of life.

This work is a reminder:

You are not random.
You are not separate.
You are patterned light, moving through color, held in a living field of intelligence.